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Meta-cinema in 2 Almodóvar Movies

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It is now common to associate Pedro Almodóvar with the post-modern discourse in cinema especially regarding pastiche, pop imaginary, genre and gender playfulness, self- referential moments and meta-cinema. This last element has become one of the writer-director most recurrent trademarks. Almodóvar’s filmography, as complex as it is, could be also seen as a study on filmmaking. Beyond the many

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