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The Thriller Genre in Amenabar's Thesis

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As Barry Jordan and Ricky Morgan argue in their book Contemporary Spanish Cinema, genres operate as systems of “orientations and conventions which circulate between the film industry, the film text and the spectators assumptions and expectations.” (1998:62) To discuss some topics in Alejandro Amenabar’s Thesis, I will like to add to the previous idea, the influx of Film Studies. With Thesis,

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